Konstanz: A man emerges from backstage into the ring, tossing a diabolo high into the air and catching it with a string. He is Chu Chuan-ho, Taiwan’s most internationally acclaimed diabolo artist and a member of Circus Krone, Germany’s largest circus. The seemingly effortless moves transfix audiences, but they belie the arduous journey and road life endured by Chu and other circus stars, particularly those from different cultures.
According to Focus Taiwan, Chu reflected on his life as a circus performer and the discipline needed to succeed during an interview on Sept. 27 while on tour with Circus Krone in Konstanz, Germany. Chu described life with the circus as nomadic, often requiring performers to endure harsh conditions, such as the lack of tap water and electricity. He recounted a particularly challenging tour in Canada where he faced freezing nights without a heater, relying on a thick comforter for warmth. These experiences, he said, shape and toughen circus performers.
Language barriers presented another challenge for Chu early in his career. He recalled missing a connecting flight at a German airport on Christmas Eve, having to rely on broken English and gestures to communicate with airport staff. This incident motivated him to improve his English skills using flashcards and online tools, which has since facilitated better communication with colleagues.
Chu emphasized the discipline required for daily performances, explaining that he follows a stringent routine to build muscle memory, warming up for three hours before each 15-minute set. Inner peace, he added, is essential to perfecting his craft, balancing the art of diabolos.
Despite the sacrifices Chu has made, he credits his success to Tigerpalast Variete Theater’s artistic director, Margareta Dillinger. Her recognition of his potential, along with her support, helped him establish his career in Germany. “Respect, not money, is what a performer treasures most,” Chu stated.
As he gained experience, Chu learned to discern the differences between North American and European audiences, a skill he considers crucial to connecting with spectators. North American fans, he observed, focus on entertainment value, applauding after every segment, while Europeans appreciate the cultural and artistic value, offering prolonged applause at the end. This understanding prompted him to adjust his performances accordingly.
Having performed in over 100 cities worldwide, Chu expressed pride in representing Taiwan. He hopes to see circus culture gain popularity in Taiwan, suggesting a model that combines shows with dining, similar to Tigerpalast’s approach since the 1990s.
